Vylet Pony’s I Was the Loner of Paradise Valley breaks down barriers and builds a unique sonic landscape.
Cringe is dead, listen to brony cloud rap.
Sampha’s Lahai was worth the wait.
The UK singer-songwriter ruminates on lost time, relationships, and family on a release six years in the making. His new lease on life should inspire you.
Daft Punk’s triumphant finale is a mature reflection on 10 Years of Random Access Memories.
Daft Punk’s Random Access Memories has aged impeccably, and the new 10th Anniversary Edition of the album is a graceful way for the duo to end their historic career.
Static… and Silence: Exploring The Sundays’ last album.
Exploring The Sundays’ apparent goodbye to the music world.
Hellfire: Black Midi’s theatrical take on experimental jazz rock.
Dissecting the elements that make the UK trio’s 3rd LP so unique.
M83’s Hurry Up, We’re Dreaming is a self-indulgent maladaptive daydream.
Indulging in M83’s most self-indulgent album.
Decoding the rhythms of innovation: a decade with Tricot’s T H E.
From the dynamic surge of “POOL” to the contemplative echoes of “artsick,” dive into an in-depth exploration of how this Kyoto-based band defined their own genre of math rock.
The Rest: not just a shadow of The Record.
In just four songs on The Rest, Boygenius takes in the unimportant, the heart-breaking, and the sublime.
Big Pun’s Capital Punishment: “Latins goin’ platinum.”
Revisiting a forgotten classic from a pioneer of Latino hip-hop.
Shades of Red (Taylor’s Version)
A look back on the Swift re-recording that is much more than just a cry-your-heart out soundtrack.
PinkPantheress’ Heaven knows doubles down on every trademark of the viral pop sensation.
Simultaneously whimsical and melodramatic, Heaven knows explores love and doubt in PinkPantheress’ signature danceable style.
Confessions of a teenage girl: Olivia Rodrigo's GUTS.
Rodrigo’s sophomore record unapologetically captures her inside and outside of her comfort zone.
A love letter to Taylor Swift’s magnum opus, 1989 (Taylor’s Version).
The pop supernova’s culture-bending fifth studio album never went out of style, even after nine years.
Troye Sivan gives us Something To Give Each Other.
Troye Sivan’s third studio album is a call to the dance floor and a reminder of the importance of love and community in the queer music scene.
Taylor Swift's discography (Kristen's version).
Exploring the pop phenomenon’s entire catalog, for the first time.
The raw emotional power of Arooj Aftab’s Vulture Prince.
Raised in Pakistan and now based in Brooklyn, Arooj Aftab masterfully blends elements of jazz and electronic music with vocal techniques lyricism steeped in Urdu classical tradition on her third album, creating a uniquely captivating sound that simultaneously evokes feelings of love and loss.
FKA twigs’ MAGDALENE: a portrait of Blackness, womanhood, and pain.
MAGDALENE cemented FKA’s place in the pantheon of art pop visionaries. How can we better understand her masterwork by analyzing the conditions that led to its inception?
Celebrating five years of Golden Hour.
The unique, dreamy, country-pop tracks on Kacey Musgraves’ Golden Hour earned 2019’s “Album of the Year” title at the Grammy Awards, but five years on, the album continues to steal a top place in the musical rotations of loyal fans. If you think you “hate” country music and want to expand your musical palate, take a chance on Golden Hour.
We're all posers: AG Club's exploration of humanity on Imposter Syndrome.
AG Club’s fourth project provides an intimate look into the group’s views on music, life, and culture while maintaining their signature, unpredictable, genre-bending sound.
“Not a Novice How I Prophesy”: Junglepussy’s newest EP is her best work yet.
The aptly titled Jp5000, following releases Jp3 and Jp4, both builds on those records and blazes past them. Futuristic and uncompromising, Jp5000 is Junglepussy, elevated.