Ryan Beatty’s Calico and the bravery of brevity.
Queue Calico and let the sunlight dry your tears. Ryan Beatty’s quiet vulnerability makes Calico a powerful reminder that love comes after loneliness.
How Kessoku Band redefined anime music.
A guide to contemporary J-rock, Bocchi the Rock’s album Kessoku Band brings anime music to a level beyond the screen.
Wall of Eyes: the next Evolution of The Smile’s unfiltered genius.
Even if The Smile isn’t altogether new, Wall of Eyes marks their most definitive break from Radiohead yet, outshining their debut to stand as a wondrous work that will enchant, haunt, and charm you at will.
Think Later, listen now to Tate McRae's sophomore album.
Think Later is refreshingly playful and spontaneous, but with the backing of traditional pop glory.
Vylet Pony’s I Was the Loner of Paradise Valley breaks down barriers and builds a unique sonic landscape.
Cringe is dead, listen to brony cloud rap.
Sampha’s Lahai was worth the wait.
The UK singer-songwriter ruminates on lost time, relationships, and family on a release six years in the making. His new lease on life should inspire you.
Daft Punk’s triumphant finale is a mature reflection on 10 Years of Random Access Memories.
Daft Punk’s Random Access Memories has aged impeccably, and the new 10th Anniversary Edition of the album is a graceful way for the duo to end their historic career.
Static… and Silence: Exploring The Sundays’ last album.
Exploring The Sundays’ apparent goodbye to the music world.
Hellfire: Black Midi’s theatrical take on experimental jazz rock.
Dissecting the elements that make the UK trio’s 3rd LP so unique.
M83’s Hurry Up, We’re Dreaming is a self-indulgent maladaptive daydream.
Indulging in M83’s most self-indulgent album.
Decoding the rhythms of innovation: a decade with Tricot’s T H E.
From the dynamic surge of “POOL” to the contemplative echoes of “artsick,” dive into an in-depth exploration of how this Kyoto-based band defined their own genre of math rock.
The Rest: not just a shadow of The Record.
In just four songs on The Rest, Boygenius takes in the unimportant, the heart-breaking, and the sublime.
Big Pun’s Capital Punishment: “Latins goin’ platinum.”
Revisiting a forgotten classic from a pioneer of Latino hip-hop.
Shades of Red (Taylor’s Version)
A look back on the Swift re-recording that is much more than just a cry-your-heart out soundtrack.
PinkPantheress’ Heaven knows doubles down on every trademark of the viral pop sensation.
Simultaneously whimsical and melodramatic, Heaven knows explores love and doubt in PinkPantheress’ signature danceable style.
Confessions of a teenage girl: Olivia Rodrigo's GUTS.
Rodrigo’s sophomore record unapologetically captures her inside and outside of her comfort zone.
A love letter to Taylor Swift’s magnum opus, 1989 (Taylor’s Version).
The pop supernova’s culture-bending fifth studio album never went out of style, even after nine years.
Troye Sivan gives us Something To Give Each Other.
Troye Sivan’s third studio album is a call to the dance floor and a reminder of the importance of love and community in the queer music scene.
Taylor Swift's discography (Kristen's version).
Exploring the pop phenomenon’s entire catalog, for the first time.
The raw emotional power of Arooj Aftab’s Vulture Prince.
Raised in Pakistan and now based in Brooklyn, Arooj Aftab masterfully blends elements of jazz and electronic music with vocal techniques lyricism steeped in Urdu classical tradition on her third album, creating a uniquely captivating sound that simultaneously evokes feelings of love and loss.