Bright Future: how does Adrianne Lenker rewrite her past?
The prolific folk artist’s latest album is a rich revisiting of memory in all its forms, for both her and her fanbase.
Crying, Laughing, Loving, Lying by Labi Siffre.
The songwriter and poet’s most commercially successful album is a bittersweet testimony to the beautiful imperfections of the human spirit.
Even after listening to Raven, are we still too far away?
No, not the Edgar Allan Poe of our time, the Kelela of our time, just on her way to “Make Technoa Black Again.”
Yearning softly with Faye Webster’s Underdressed at the Symphony.
Let Faye Webster’s recurrent lyrics bring you to thoughtful acceptance of loves lost.
Ryan Beatty’s Calico and the bravery of brevity.
Queue Calico and let the sunlight dry your tears. Ryan Beatty’s quiet vulnerability makes Calico a powerful reminder that love comes after loneliness.
How Kessoku Band redefined anime music.
A guide to contemporary J-rock, Bocchi the Rock’s album Kessoku Band brings anime music to a level beyond the screen.
Wall of Eyes: the next Evolution of The Smile’s unfiltered genius.
Even if The Smile isn’t altogether new, Wall of Eyes marks their most definitive break from Radiohead yet, outshining their debut to stand as a wondrous work that will enchant, haunt, and charm you at will.
Think Later, listen now to Tate McRae's sophomore album.
Think Later is refreshingly playful and spontaneous, but with the backing of traditional pop glory.
Vylet Pony’s I Was the Loner of Paradise Valley breaks down barriers and builds a unique sonic landscape.
Cringe is dead, listen to brony cloud rap.
Sampha’s Lahai was worth the wait.
The UK singer-songwriter ruminates on lost time, relationships, and family on a release six years in the making. His new lease on life should inspire you.
Daft Punk’s triumphant finale is a mature reflection on 10 Years of Random Access Memories.
Daft Punk’s Random Access Memories has aged impeccably, and the new 10th Anniversary Edition of the album is a graceful way for the duo to end their historic career.
Static… and Silence: Exploring The Sundays’ last album.
Exploring The Sundays’ apparent goodbye to the music world.
Hellfire: Black Midi’s theatrical take on experimental jazz rock.
Dissecting the elements that make the UK trio’s 3rd LP so unique.
M83’s Hurry Up, We’re Dreaming is a self-indulgent maladaptive daydream.
Indulging in M83’s most self-indulgent album.
Decoding the rhythms of innovation: a decade with Tricot’s T H E.
From the dynamic surge of “POOL” to the contemplative echoes of “artsick,” dive into an in-depth exploration of how this Kyoto-based band defined their own genre of math rock.
The Rest: not just a shadow of The Record.
In just four songs on The Rest, Boygenius takes in the unimportant, the heart-breaking, and the sublime.
Big Pun’s Capital Punishment: “Latins goin’ platinum.”
Revisiting a forgotten classic from a pioneer of Latino hip-hop.
Shades of Red (Taylor’s Version)
A look back on the Swift re-recording that is much more than just a cry-your-heart out soundtrack.
PinkPantheress’ Heaven knows doubles down on every trademark of the viral pop sensation.
Simultaneously whimsical and melodramatic, Heaven knows explores love and doubt in PinkPantheress’ signature danceable style.
Confessions of a teenage girl: Olivia Rodrigo's GUTS.
Rodrigo’s sophomore record unapologetically captures her inside and outside of her comfort zone.