We should all take more photos.
In an album that spans genres and generations, based in the sound and culture of Puerto Rico, Bad Bunny tells us to live in the moment and enjoy the present.
WowWowWowWowWow, what a wonderful way.
WorldWorldWorldWorldWorld; self supporting evidence of the evolution and livelihood of punk.
Even the Forest Hums: Ukrainian Sonic Archives 1971-1996: remember, play, dance, resist.
A beautifully curated and timely introduction to the country’s rich and storied musical tradition.
Perverts by Ethel Cain: petulant or portentous?
Is Ethel Cain’s sonically brilliant effort to escape the pop scene and break into a new genre worth the discomfort?
Kali Uchis’ forgotten mixtape.
An unfiltered glimpse into Kali Uchis' adolescence through her unreleased, first album.
The Arctic Monkeys’ noir The Car.
Dainty orchestrals and lyrics make The Car the band's most ambitious and misunderstood album.
How does love unravel us?
The power of an album when the artist has a clear and direct vision is unmatched. Lizzy McAlpine created something that is rife with attention, care, and beautiful melodies, and that can only happen when the artist truly knows music.
10 Years of Mac Miller’s Faces.
His mixtape magnum opus thrives with a life of its own a decade later.
Even apes make love.
An ape’s coming of age musical.
A retrospective on The Big Day: was it really that bad?
The Big Day is actually kind of gas.
Is Hurry Up Tomorrow really the end of The Weeknd as we know him?
The conclusion of The Weeknd’s second trilogy is a beautiful but repetitive eulogy that brings his career full circle.
Scoring Dune: Part Two.
How Hans Zimmer used a teenage spirit and trips to Home Depot to build the world of this epic science fiction sequel.
The highs and lows of The Great Impersonator.
Halsey’s fifth studio album teeters between sounding wonderful and one-note, but its heavy themes make it worth a relisten.
GNX: the return of the boogeyman.
All he ever wanted was a Black Grand National.
Maude Latour creates poetry in new album Sugar Water.
Latour’s first album Sugar Water displays a shift in her creative philosophy.
A legacy in sound: Adam Tendler’s journey through music and memory.
In a deeply personal and experimental album, pianist Adam Tendler intricately bridges memory, family, and contemporary composition.
A new sound; The New Sound
It’s a cartoon world. The prawns are four pounds, the do’s are only one. Wake up guys, what is going on?
Mount Eerie’s Night Palace: a birdwatcher’s poetry.
Phil Elverum, one of the most profound musical minds of the 2000s, returns with an album that exudes humanity in a reflective manner.
Nothing is black & white in Tyler, The Creator’s CHROMAKOPIA.
The black sheep of mainstream rap reveals a more intimate side, keeping his listeners guessing at every turn.
Bright Future: how does Adrianne Lenker rewrite her past?
The prolific folk artist’s latest album is a rich revisiting of memory in all its forms, for both her and her fanbase.